A significant part of the collection originates from the castle of the Cziráky Counts in Dénesfa. In addition to the paintings that were added to the museum after World War II, the institution bought the antique porcelain and silver sets, furniture, and decorative clothes in 1961. Count Cziráky (III.) The Hungarian ornament of József (1883–1960) could have been made in the first decades of the 20th century. At the end of the 19th century and the first half of the 20th century, the Hungarian nobility, formed during centuries of development, was worn only on festive occasions. The outfit consists of corded, bone-colored atillas made of silk and short, split sleeves, richly decorated with cords and squeals, which are accompanied by tight silk trousers and boots, as well as feathered javelin. The splendor of the fine and expensive materials was further enhanced by the gold-shaped accessories: the green turquoise-encrusted rescue chain and the silver-plated saber.
Among the props of the nobleman's e-resentation, you can also find silver sets and porcelain service centers made by Vienna and Hungarian goldsmiths. In the second half of the 19th century, two Czirákys also married from the Esterházy family. The memory of Frigy is also a large neo-baroque-style table center made on a mirror-sheet-style table made by the Vienna company J.C. Klinkosh, decorated with the coats of arms of the two families at the same time.
The Applied Arts Collection also includes special porcelain and glass objects, haban ceramics, nun works, sedges, clocks and various household items.
A representative piece is the large tajtek pipe, whose body is decorated with rich figurative and ornamental neo-baroque style, and silver pens make its head and neck even more magnificent.
The instrument called the giraffe piano is a special version of the hammer piano, its vertically placed string was stretched over the frame like a harp. It also owed its popularity to its small space requirements: when placed next to the wall, it fit perfectly with the furnishing of the narrow bourgeois salons.
One of the most beautiful of the women's clothing is the fitted dress from the 1760s, which is the only remaining piece of a Rococo dress. The material is brocade with a floral pattern, and the lining is white barhen (cotton fabric flared on the side of the back). The French fan, decorated with 22 pieces of gold and silver foil, painted on the spokes of an openwork mother-of-pearl, was stretched from this time, and a sheet of paper depicting the so-called Galanteria scene was stretched.
